Nollywood veteran Fausat Balogun, fondly called Madam Saje, has opened up about her passion for attending parties, especially those hosted by younger actors in the industry. In a recent interview with African List, the seasoned actress addressed critics who often comment on her frequent presence at social events, explaining that her love for partying stems from a personal experience early in her career.
Balogun made it clear that she enjoys being part of celebrations and does not mind the talk it generates.
“I love attending people’s parties, especially those of younger actors. People talk about that a lot. Something similar happened to me before when I invited people and many didn’t show up.”
The actress revealed that the memory of her own event, where invitations went largely unanswered, motivates her to show up for others today. By supporting younger colleagues and fellow entertainers, she turns a past disappointment into a positive habit of community and reciprocity. Her words highlight a simple yet powerful philosophy that presence matters, especially in an industry where support can feel scarce during the early, struggling years.
Known for her decades-long contribution to Yoruba cinema and her larger-than-life on-screen persona, Balogun has become a familiar face at events and industry gatherings. Fans have noticed her energetic attendance and warm interactions, often sharing clips of her dancing and mingling with the new stars.
Beyond the parties, the veteran has spoken about her own journey through hardship, including periods of financial struggle. She believes her experience taught her the value of showing up for others when it counts.
Read “I Stole Food to Survive” – Fausat Balogun Recounts Past Struggles
By choosing to celebrate with others rather than isolate herself, Balogun demonstrates that success in Nollywood is as much about lifting others as it is about personal achievement. Many have applauded her honesty, seeing it as a refreshing take on mentorship and solidarity in an often competitive space.
