Nigerian music icon D’banj has said he has no regrets about his split from long-time collaborator and producer, Don Jazzy, noting that every part of their journey happened the way it was meant to.
D’banj made the remarks during his appearance on the Mic On Show, where he discussed the spirituality of music, the realities of musicians’ wealth, and the evolution of his tech-driven talent platform, C.R.E.A.M.
Speaking about his relationship with Don Jazzy, the “Koko Master” said he wouldn’t change any part of their history.
“I wouldn’t change anything about what happened between Don Jazzy and me”, he said.
D’banj added that from the beginning of his career, he always understood his role in the industry.
“I was very clear from the beginning. I never said I was a rapper or an artist. I said I’m an entertainer.”
D’banj and Don Jazzy co-founded the legendary Mo’Hits Records, one of the most influential labels in Nigerian music history, producing hit albums such as No Long Thing, Mushin 2 Mo’Hits, and The Entertainer. The pair parted ways in 2012, leading Don Jazzy to launch Mavin Records, while D’banj explored new ventures.
During the interview, D’banj revealed that the split indirectly contributed to the birth of CREAM; his digital platform designed to help talents showcase their work, connect with opportunities, and access funding. He described CREAM as one of his proudest achievements so far, claiming that the platform is now valued at $3 billion.
“There’s no artist on Forbes List that made it through music alone”, he said, stressing that musicians must think beyond streaming revenue and explore entrepreneurship.
The singer also spoke on the power of the Nigerian entertainment industry, describing it as a global force that continues to grow despite infrastructural challenges. He said the spiritual element of music is what keeps artists grounded and connected to their audiences.
D’banj’s comments have sparked renewed interest in the evolution of his relationship with Don Jazzy and the legacy of Mo’Hits which is widely regarded as a golden era in Afrobeats history.